Workshop – Critique Session
Workshop – Critique Session hosted By Daniel Vito What is a good pot? Is it an objective or subjective Decision? Daniel Vito will lead a
Ceramics Glossary
Slip | A thick and creamy mixture of clay and water used to join clay parts together OR to decorate the surface. It is applied before firing, when the clay is still plastic or leather hard. |
Oxide | A finely ground raw material (a metallic oxide) used in ceramics as a colorant, flux, or glass former. Examples include iron oxide, copper carbonate, titanium dioxide, rutile, etc. |
Stain | A proprietary mix of oxides produced by industry and sold in a variety of colors. Stains tend to be more stable and come in a wider range of colors than do raw oxides. |
Underglaze | A mixture of ceramic color that can be applied to wet, dry or bisque clay. The pre-fired color of commercially prepared underglaze stays true through the firing. Underglaze has no glass former so it is not shiny when fired. A clear glaze can be applied over underglazes if a shiny surface is desired. |
Wash | A thin solution of the same metallic oxides that are used to color glazes. A wash can be applied under or over a glaze. Applied first, it can be rubbed into the carving and textures, picking up details; applied over a glaze, it can fuse and flow as the glaze melts, giving a softer result. |
Sgraffito | Sgraffito is a decorating technique developed centuries ago. In its simplest embodiment, leather-hard clay is coated with an engobe (or slip) of contrasting color and then a pattern or picture is added by carving through or scraping off the slip to reveal the clay underneath. Similar to the 2D technique known as “scratch art”. |
Mishima | A decorative technique where a design or pattern is incised, or carved, into the clay, filled with a contrasting colored slip, allowed to dry and then sanded to reveal the original design filled with color. Inlay designs are typically covered with a transparent glaze. |
Leather hard | Clay that has been allowed to dry slightly, making it stiffer and able to support its weight, but which can still be worked on and have parts attached. It is the ideal stage for incising. |
Wax Resist | In this decorative technique, patterns or designs are created by brushing a wax medium over an area of clay, slip, or glaze to resist the final glaze application when the wax is dry. |
Incise | To cut a design or decorative mark into the clay. |
Engobe | A colored slip, it is applied to wet clay for decoration. |
Surface Treatment | Any of a variety of techniques used to create interest on the surface of a ceramic work; the way the surface is treated, textured, decorated, colored, and/or glazed. |
Terra Sigilatta | Terra sigillata is an ultrarefined clay slip that can give a soft sheen when applied to bone-dry wares and, if polished or burnished while still damp, may give a high gloss. The ancient Greeks and Romans used this technique in lieu of glaze. |
Tom Coleman Slip
Material | Quantity |
Borax | 5 |
Talc | 5 |
Nepheline Syenite. | 16 |
Ball Clay | 26 |
EPK | 26 |
Flint | 21 |
Zircopax | 10 |
Total | 109 |
I mix a ten-pound batch then add:
Water | 6 # 8 oz. |
Sodium Silicate | 4 drops |
Terra Sigilatta
clay | 1000 g |
water | 3000 g |
Calgon | 2-5 g |
(For grolleg, use 2 g Calgon. For Red Art use 5 g)
Directions: Use a glass gallon jar. Add Calgon to water first. Then add clay and any colorants. Let settle for at least 24 hours until it has visibly stratified. Use a siphon to draw off the water on top. Then use siphon to gather the middle layer. This is your terra sig. Let excess water evaporate until desired consistency is reached. Discard the bottom layer in the jar.
Workshop – Critique Session hosted By Daniel Vito What is a good pot? Is it an objective or subjective Decision? Daniel Vito will lead a
adding value to your pots Presented by Daniel Vito How can you add Value to your pots? There are many simple and easy things you
The Art of the Lid Presented by Daniel Vito Traditional design, beautiful forms Lidded vessels are a staple of the potter’s repertoire. Lids add visual
Sgraffito, Mishima and Layering Presented by Jen Curry and Donna Hetrick Learn how to use colored slips, underglazes and oxide washes. They can be combined,
Underglaze Transfers Presented by Betsy Wisbon Adding detail and decoration Underglaze transfers are a great way to add colorful and intricate detail to your ceramic
Velvet Underglaze Painting Presented by Jeennie Nickolls and Daniela Krahe Adding color and decoration Join Daniela Krahe and Jeennie Nickolls to learn how they use
Sectional Pots Presented by Daniel Vito Scale up the size of Your work There is a practical limit to how high you can pull up
Pottery by Design Presented By Daniel Vito What is a good pot? Is it an objective or subjective Decision? Daniel Vito will discuss and demonstrate
Attachments Presented by Daniel Vito Attached Handles, spouts, necks, feet, and Knobs add interest and complexity to your work Attachments need to be incorporated into
The art of the vase Presented by Daniel Vito Take your design and throwing skills to the next level Functional and decorative vessels are a
Classes
Wednesday Morning
Tuesday and Wednesday Evening